gusl: (Default)
I wish we had simple words to clarify the purpose of an utterance.

* "in response to what you said ..."
* "go to off an a tangent ..."
* "unrelatedly ...": there are no established claims yet, so no argumentation is likely to ensue.

* "this can't be right because ...": as a consequence, the interlocutor should try to defend their last claim, unless they no longer believe it due to this update.
* "in spite of what you said ...": as a consequence, the interlocutor should try to defend their (implicit) claim, unless they no longer believe it due to this update.
* "to complement what you said ..."

etc.

Of course we already have the above expressions, but they are too bulky and awkward, and as a result people don't use them enough. This causes misunderstandings.


I also wish people wrote focus markers (like italics) more often.

A - I don't know if you realize this, but CMU has many many people who use ML. You could probably find an undergrad to help you.

B - Actually, I really am thinking of just teaching myself OCaml --- John Doe was pretty persuasive about its virtues.


Situation/Interpretation #1: B does not realize that ML and OCaml are the same language.

Situation/Interpretation #2: B does realize that ML and OCaml are the same language, but is an autodidact (emphasis on "myself").

B's second sentence favors interpretation #1, since it's giving a reason for learning OCaml, which would be a superfluous utterance if B knew that this is exactly what A is suggesting (i.e. if the intended interpretation were #2, the second sentence would be a violation of the Maxim of Quantity and the Maxim of Relevance).

The "actually" is another piece of evidence in favor of interpretation #1, because "actually" signals disagreement. B clearly believes that "B should learn OCaml".
A's expressed belief is that "B should learn ML".
According to B's beliefs in situation #1, there is a disagreement between these two, so using "actually" makes sense.
According to B's beliefs in situation #2, there is no disagreement between these two, so "actually" would be out of place.
gusl: (Default)
There are not enough Google hits on the analogy between "changing vocal registers" and "changing gears" (please prove me wrong!). I think good singers can blend them seemlessly, but I'm not sure.

My vocal range is approximately the same as the range of my classical guitar. I have a distinct "chest voice", "head voice" and falsetto.

Further, I can produce qualities that I would call "nasality", "breathiness" and "screaminess". I would like to understand how they are produced physically...

Tangent: have you ever considered that onomotopoeias should be related to your mouth configuration? e.g. physical systems that produce "ffff" sounds are probably similar to what happens in your mouth when you pronounce the voiceless labiodental [f].

February 2020

S M T W T F S
      1
2345678
9101112131415
16171819202122
23242526272829

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags